• image courtesy Crow's Shadow Institute of the Arts

  • Ryan Pierce's vivid, large-scale paintings depict our world recovering from human industry. He draws on influences from ecological theory, literature, and folk art to create scenes that portray the resilience of the natural world.

    He has exhibited internationally and his work has been recognized by grants from the Joan Mitchell and San Francisco Foundations, and the Regional Arts and Culture Council, as well as by reviews in Art in America, Art Papers, and The Oregonian. Pierce has been an artist in residence at the Ucross Foundation, Caldera, and Lademoen Kunstnerverksteder in Norway, and a fellow at the Jordan Schnitzer Printmaking Residency at Sitka Center for Art & Ecology. Pierce has taught at colleges and universities throughout Oregon and lectured as a Visiting Artist at more than 30 institutions. In 2012, he was the recipient of an Individual Artist Fellowship from the Oregon Arts Commission. He is represented by Elizabeth Leach Gallery in Portland.

    Pierce is the co-founder, with activist Amy Harwood, of Signal Fire, a group that facilitates wilderness residencies and retreats for artists of all disciplines.

  • Selected Press

    The Map is Not the Territory reviewed in:
    -Oregon ArtsWatch
    -The Portland Mercury

    Interview in Eleven PDX Magazine in February 2019.

    Stacia Yeapanis interviewed Ryan for OtherPeoplesPixels' blog.

    Review of Eyeshine in Oregon ArtsWatch, by Grace Kook-Anderson.

    New World Atlas of Weeds and Rags in The Oregonian.

    Night Music at Babel Gallery by Marte Midtsund.

    To Those Who Will Not Know the Way in The Oregonian.

    Review of Written From Exile in Art in America by Sue Taylor.

    Review of Written From Exile in Art Papers (Jan/Feb 2010) by John Motley.

    Interview on Art Slant.